شعر المعلقات في ضوء المقاربة النقدية المعاصرة - قراءة في المنجز النقدي المعاصر لشعر المعلقات-

Abstract

This research aims at showing the most important contemporary critique approaches of the suspended poetry, as this poetry collection is considered as the best of the pre-Islamic one. It is a long poem that has more than 100 verses, ten peoets were known by this gender,as the suspended poems of Imru Al Qays, and that ofLabid Ibn Rabi'a , and that of Torfa Ibn AlAbd, and that of Zuhair Ibn Abi Salma, and that of Amr Ibn Kulthum, and that of Al-Harith Ibn Halza, and that of Antara Ibn Shaddad, and that of Nabegha Al-Thabiani, and that of El Aecha, and that of Obaid Ibn Al-Abras. This poetry collection appeared with a critical movement, from the pre-Islamic era till nowadays. As a result, they were various approaches and different techniques which becames into one of the following categories: a method Outside of the text (impressionist, historical, psychological, social and mythological) or to be a textual one (structural, stylistic, semantic and deconstructive). The suspended poetries had a part of these readings, so they were analysed superficially by the outside method of the text, as it was unable to understand its poetic constructs, that is why, it make it disabled and oral texts. Which were not written or suspended. And Some verses were stolen, and neglect the technical characteristics in it, such as the existence of the organic unit reached by the impressionist criticism, or taking these texts as a justification for external quotations, psychological or historical or social or mytho-religious, Worked on flatten the text and make it belonging to the ready expressions. As a result for the textual and contextual approach, it was completely different, since these readings concluded that these texts contained the organic unit in it form and content, and what was called poetry thefts is a critical phenomenon adopted by of all this methods, it is intertextuality in all it types. these approaches also showed a rythmic phenomenon in the suspended poetries (that of Al Abrasse) which were monopolizedby the west in the matter of free poetry.