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The Polyphonic, Dialogic Feminine, Narrative Voice in Anglophone Arab Women's Writings

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dc.contributor.author Sarnou, Dallel
dc.date.accessioned 2019-06-10T18:50:11Z
dc.date.available 2019-06-10T18:50:11Z
dc.date.issued 2016-08-18
dc.identifier.issn 0975-2935
dc.identifier.uri http://e-biblio.univ-mosta.dz/handle/123456789/10783
dc.description.abstract The present paper aims to distinguish the narrative voice in Anglophone Arab women narratives from other feminine voices by putting spotlight on the state of hybridity, hyphenation and oscillation between home and Diaspora and how Arab women writers living in the diaspora stand in a particular cultural, social, political and linguistic position that enables them to voice distinctively their female compatriots to the Western readership. A fundamental preoccupation, in this article, is to argue that the narrative voice in Anglophone Arab women’s writings is both dialogic and polyphonic following Bakhtin’s theory of Dialogism. The major finding of this paper is that the voice in these narratives is both multiple and complex since the hyphenated identity of Arab women writers living in the Diaspora is also complex and multilayered. en_US
dc.language.iso en en_US
dc.relation.ispartofseries 3;VIII
dc.subject Voice, Dialogism, Polyphony, Diaspora, Hyphenation, Hybridity. en_US
dc.title The Polyphonic, Dialogic Feminine, Narrative Voice in Anglophone Arab Women's Writings en_US
dc.type Article en_US


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