LE JEU DES STEREOTYPES DANS « LE DERNIER CHAMEAU » DE MOHAMED FELLAG

Abstract

During a long time, the vision that the strangers carried on us Algerian, was characterized by the prudence, the contempt, racism, the repugnance… it's dimmed considerably. The obstruction that our artistic stage knows clearly testifies to some. What did he/it cause this change? We are interested in particular in an artist, Mohamed Fellag, that knew a big popularity, and knew to transmit his message in a humorous setting. We wonder if the stereotypes are the means by which our artist, among others, tent to improve the statute of the Algerian on an international level, and of Arabic in general.

We want to subscribe the impact that the stereotypes can have on the behaviour of each also, his/her/its vision of the other and especially to improve contact between social groups of different features identities. Our outgoing question is "How operate the stereotypes of Fellag in " The last camel" ? ." From there we wonder about the strategies adopted on the one hand for the transmission of the message without ambiguousness nor pain sensible and on the other hand, to clarify the diversion of interferences, neologisms and code switching in favour of the stereotypes. To make itself, we opted for the situational analysis of P.Chareadeau, the bivalency of R.Amossy, the different definitions brought by sociologists, psychologists and linguists. Some stereotypes have been questioned again and have been replaced by others in favour of "Arabic", others were created of all pieces and employees to be instilled to the minds. The author of him "Last camel" applied to put to naked of the stereotypes that circulate in the Western societies and then to reverse them in favour of the one that was wronged beforehand; others have been used again in the two securities (the bivalency), and finally those that have been used to break the taboos of which no one dares to speak of it. We can only pretend our work is exhaustive, indeed, we expressed an interest to written over. The kinesics, the special effects, music and the sounds remain a very vast domain that asks for a lot more research and of investigating. We set some in the future like a possible project. To the surplus we didn't have any other pretensions that to open a fruitful debate on the role of the stereotypes in the literary and linguistic theory, what is far from being closed in these pages.