Résumé:
The subject of the research is in the aesthetics of contemporary
Islamic poem, reading in contemporary Algerian poetry, she
included an introductory chapter which dealt with the concept of
beauty and aesthetics, and then the origin and reality Algerian
Islamic poem. The content of the research is divided into two
sections: theoretical and practical section, the first section contains
two chapters, the first of which addressed the relationship of Islam
with poetry and the second issue of the poem between the Islamic
era prophecy and practice of contemporary poetry
I chose a sample of Algerian poets for an applied interactive
section and I studied some of their titles as: Mohammed
DJERBOUA, Zubeir DERDOUKH and Aissa LEHAILAH in
three chapters semiotics Islamic poem. In the third chapter I have
approached the subject of semiotics titration in their poetry and in
the fourth chapter; I approached the system introductions and
conclusions and poetic in their book of poems. And I ended my
search for a fifth chapter dealing consolidating the rhetoric
represented in training and intertextuality. I concluded the most
important results are: that the contemporary Algerian Islamic
poem is a real textual being, which has all the elements of poetry
and semantic richness. Directed by titration, the poetic
introductions and training for the text that preserves its cohesion
and harmony and intertextuality that made the texts of these poets
in dialogue with third parties.
