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جمالية القصيدة الإسلامية المعاصرة - قراءة في الشعر الجزائري المعاصر-

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dc.contributor.author حورية بكوش
dc.date.accessioned 2018-11-11T05:39:54Z
dc.date.available 2018-11-11T05:39:54Z
dc.date.issued 2016
dc.identifier.uri http://hdl.handle.net/123456789/1051
dc.description.abstract The subject of the research is in the aesthetics of contemporary Islamic poem, reading in contemporary Algerian poetry, she included an introductory chapter which dealt with the concept of beauty and aesthetics, and then the origin and reality Algerian Islamic poem. The content of the research is divided into two sections: theoretical and practical section, the first section contains two chapters, the first of which addressed the relationship of Islam with poetry and the second issue of the poem between the Islamic era prophecy and practice of contemporary poetry I chose a sample of Algerian poets for an applied interactive section and I studied some of their titles as: Mohammed DJERBOUA, Zubeir DERDOUKH and Aissa LEHAILAH in three chapters semiotics Islamic poem. In the third chapter I have approached the subject of semiotics titration in their poetry and in the fourth chapter; I approached the system introductions and conclusions and poetic in their book of poems. And I ended my search for a fifth chapter dealing consolidating the rhetoric represented in training and intertextuality. I concluded the most important results are: that the contemporary Algerian Islamic poem is a real textual being, which has all the elements of poetry and semantic richness. Directed by titration, the poetic introductions and training for the text that preserves its cohesion and harmony and intertextuality that made the texts of these poets in dialogue with third parties. en_US
dc.language.iso other en_US
dc.subject Islamic poem / Algerian poetry / Mohammed DJARBOUA / Zubeir DERDOKH / LEHAILAH / poetry / semiotics / semantics / interpretation en_US
dc.title جمالية القصيدة الإسلامية المعاصرة - قراءة في الشعر الجزائري المعاصر- en_US
dc.type Thesis en_US


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