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Le contre-discours idéologique dans l’oeuvre romanesque de Tahar Djaout

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dc.contributor.author Ould Saïd Abdelkrim.
dc.date.accessioned 2019-01-18T16:46:15Z
dc.date.available 2019-01-18T16:46:15Z
dc.date.issued 2018
dc.identifier.uri http://e-biblio.univ-mosta.dz/handle/123456789/8630
dc.description.abstract In this paperwork, we are studying the ideological counter-speech in the novelistic work of Tahar Djaout. We suppose that his work contains denunciating speech that balance between fiction and reality especially in his novels “Les Chercheurs D’os”, “Les vigiles” and in “Le dernier été de la raison” which constitute our analysis corpus. In fact, we start from the hypothesis that this writing is the place of registrations of political, social and historical practice and it is reaction to all the speech in place. For the purpose of our study, we used some analytic tools of speech like the indices of the people and the qualifiers, time and adverbs, evaluative properties, the axiology of discourse as well as irony. We also focused in some theorical elements of narratology, particularly in the study of the titles of our corpus and the analysis of the characters. Moreover the concepts of denotation and connotation, means of decryption of the meaning, serve as a support in our thematic study of “Les Chercheurs D’os” where we show the predominance of speech indictment targeting the village’s space which symbolizes death. Concerning “Le dernier été de la raison “we raised all the requisitely themes of this novel. en_US
dc.language.iso fr en_US
dc.subject Fiction- reality- emergence context- counter-speech – ideology- denunciating language – discursive axiology- qualifiers- characters- connotation- denotation. en_US
dc.title Le contre-discours idéologique dans l’oeuvre romanesque de Tahar Djaout en_US
dc.type Thesis en_US


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