Résumé:
Among the most important foundations on which the theatrical performance is based is the dramatic composition. This is the last part through which the privacy of the theatrical experience is felt, and therefore requires a lot of care and management to clarify that privacy. Accordingly, this thesis attempts, in a scientific and systematic way, to delve into the specificity of the dramatic composition in theatrical performances. Contemporary Algerian, that is, the study of theatrical texts in their form presented on stage, and by contemporary we mean performances of the last decade. In order to reach useful results in this subject, we chose different scientific methods. We also adopted for the applied side various theatrical models in terms of year of production, dramatic template and structure.
We arrived at a number of results, perhaps the most important of which lies in the multiplicity and diversity of dramatic templates in contemporary Algerian theater performances, and with the diversity of templates, the dramatic structure differed with it, and it was imprinted with what was dictated by the nature of each template. As for the maturity, consistency, and clarity that are supposed to unify the dramatic structure as a whole in You will find that the theatrical text varies from one show to another according to the director’s knowledge of the show’s foundations of the dramatic structure, as well as according to the maturity of his vision.
