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The End of History in Graham Swift’s Waterland

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dc.contributor.author Addouche, Nawel
dc.date.accessioned 2019-02-10T13:56:47Z
dc.date.available 2019-02-10T13:56:47Z
dc.date.issued 2017
dc.identifier.uri http://e-biblio.univ-mosta.dz/handle/123456789/9553
dc.description.abstract This thesis aims to define the relationship between “the End of history” as philosophical concept and postmodernist critique of history in contemporary English literature notably in Graham Swift’s Waterland as historiographic metafiction, with the aim to explore the meaning of history and its end, through relying on Fukyama interpretation to the end of history, in which the research paper shows the difference between his position and postmodern attitudes. Moreover the research investigates the postmodern reaction to the notion of referring to history as Grand narrative, Furthermore the objective is to examine how the concept of the “End of History” is represented by the Grand narrative Tom Crick and how the past or history is being questioned in swift’s Waterland which allows us to get a full understanding of the nature of history itself. en_US
dc.description.sponsorship Dr. Djafri Yasmina en_US
dc.language.iso en en_US
dc.subject English novel en_US
dc.subject History and narrative en_US
dc.subject Graham Swift’s Waterland en_US
dc.subject Grand Narrative and historiographic metafiction en_US
dc.subject Analyse and critics en_US
dc.title The End of History in Graham Swift’s Waterland en_US
dc.type Other en_US


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