L’ordre du discours dans « Surtout ne te retourne pas » de Maïssa Bey
| dc.contributor.author | Noreddine Lehimeur | |
| dc.date.accessioned | 2018-11-16T17:59:29Z | |
| dc.date.available | 2018-11-16T17:59:29Z | |
| dc.date.issued | 2011 | |
| dc.description.abstract | Inspired by the desire to break the link with the silence in which the history of “Especially do not turn” have locked them up, the feminine characters in this novel are trying to come off the yoke of social laws that oppress them by trying to stand out from the trap of fate and destiny. We will show in this research how “Maïssa Bey” uses textual strategies to draw his romantic project: the denunciation of a suspended social History; giving a tragic aspect to his story in order to access the public space to make its voice heard. | en_US |
| dc.identifier.uri | http://e-biblio.univ-mosta.dz/handle/123456789/1833 | |
| dc.language.iso | fr | en_US |
| dc.subject | Woman, desire, knowledge, power, transgression, institution, censure | en_US |
| dc.title | L’ordre du discours dans « Surtout ne te retourne pas » de Maïssa Bey | en_US |
| dc.type | Thesis | en_US |